Rites of PassageDespite their differences, the Indigo Girls are doing better than ever
When the Indigo Girls’ Despite Our Differences tour brings them to After 18 years and eight studio albums with major label Epic, Despite Our Differences, which debuted on September 19, is the Indigo Girls’ first album under a new deal with Hollywood Records. “We just sort of feel like it’s a new life,” says Saliers. “To have a new label be interested at this point in our careers was very energizing for us. We feel like we’re with a bunch of really good people; a smaller, supportive group. Not just a bunch of record industry talking heads.” The transition to a more intimate arrangement is fitting for a group that is defined nearly as much by its commitment to human dignity as by its harmony-laden folk rock. Long-time champions for gay rights, the environment, Native American rights and other causes, the Indigo Girls are also dedicated members of the Despite Our Differences includes themes of relationships and politics, such as the opener “Pendulum Swinger,” which Saliers says is a “pro-feminist spirit song” about, among other things, “being pissed off at Bush.” But despite these familiar Indigo Girls themes, both Saliers and Ray say that recording Despite Our Differences was a very new and challenging experience, and a key part of their newfound energy. This energy got an additional jolt from Pink, who joined the Indigo Girls to record the track “Rock and Roll at Heaven’s Gate.” The three had also collaborated earlier this year on the song “Dear Mr. President” from Pink’s album I’m Not Dead. “She’s a force of nature,” says Ray, who said she wrote the additional vocals on “Rock and Roll at Heaven’s Gate” with Pink’s voice in mind. “She has strong convictions. She really believes in music and believes in women, and it’s nice to rock out with someone who’s really different from Emily and me.” “She really lifted that song up,” says Saliers. “She brought a great soulful, rocking voice and a punk sensibility. She brought Pink.” The album is also the duo’s first project with veteran producer Mitchell Froom, known for his work with Elvis Costello, Suzanne Vega, Los Lobos, the Ditty Bops and many others. Recorded in Froom’s home studio with everyone in the same room, Despite Our Differences was produced much more family-style than would be done in the cold isolation of a large studio. “Mitchell is really a teacher,” says Ray. “Many great musicians are teachers, but you don’t always get a chance to have a personal relationship with them.” Saliers says that Froom tries to “fight for the music,” in that he doesn’t overproduce but instead pushes for ways to help each song come through on its own. “He raised the bar on each song,” she says. “He really encouraged me to just experiment in a way I hadn’t before.” Best of all, says Saliers, “he works really quickly. We’d work for several hours each day, and then have the mornings and evenings free.” Given how much Saliers and Ray have going on in their lives outside of the Indigo Girls, it’s no wonder this freedom was appreciated. Ray has released two solo rock albums, Stag and Prom, and in 1990 founded the not-for-profit, artist-run label Daemon Records, which has signed bands including Ellen James Society, Magnapop and Girlyman. Ray also makes time to be with her partner, Carrie Schrader, a film grad student at That enticement notwithstanding, the pair’s renewed enthusiasm for their work together will keep them busy as the Indigo Girls for a while. “I’ve started thinking of ideas for a solo album,” says Saliers, “but most of them ended up on Despite Our Differences.” She says a future solo project wouldn’t be a massive departure from the music she makes with Ray, but probably more beat- and groove-influenced. “I don’t have burning desire to do a solo album. It would just be a fun experiment. There’s nothing I need to get out that I haven’t been able to with the Indigo Girls,” she says. “But that could change as I get into the project. I’ve been talking about this for so long, though, that I’m not even going to say anything about when that might be.” Although Ray is planning her next solo album, a “sort of punky record with some country thrown in,” it won’t be released until sometime later next year. “The Indigo Girls and my solo work are just day and night because of the infrastructure around me,” says Ray. “My own recording is so much more indie and DIY.” Daemon Records has also slowed down this year, and is holding off on new releases other than a live collection of Ray’s solo touring that will only be available through mail-order and iTunes. As for future Indigo Girls projects, Ray says that she and Saliers write separately and write all the time, so projects emerge organically. “The collection just kind of comes together,” she says. “Once we have about 10 songs, we look at them and decide if we have a good thing or a bad thing.” The Indigo Girls’ have a two-record deal with The Indigo Girls both say, at least when asked by a New York reporter, that Radio City will be the most exciting stop on the tour. “I absolutely adore |
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